By Pierre Destrée, Penelope Murray
The first of its variety, A better half to historical Aesthetics offers a synoptic view of the humanities, which crosses conventional obstacles and explores the classy event of the ancients throughout a number of media—oral, aural, visible, and literary.
- Investigates the various ways that the humanities have been skilled and conceptualized within the old world
- Explores the classy event of the ancients throughout a number of media, treating literary, oral, aural, and visible arts jointly in one volume
- Presents an built-in viewpoint at the significant subject matters of historic aesthetics which demanding situations conventional demarcations
- Raises questions about the similarities and ameliorations among historical and smooth methods of considering where of paintings in society
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Additional info for A Companion to Ancient Aesthetics
Although we cannot determine when such accompaniments turned into competitions, Greek tradition retrojects the introduction of poetic and musical contests (both regularly called mousikoi agōnes) to the mythic past. 3) reports that at Delphi the oldest contest, for singing a hymn to Apollo while playing a concert lyre (kithara), was first won by Chrysothemis of Crete, whose father had performed ritual purification for the god after Apollo slew the Python. By the seventh century bc, the Pythia at Delphi had become a major event for contests in music and song (with athletics on the side).
Kurke, eds. 2003. The Cultures within Ancient Greek Culture: Contact, Conflict, Collaboration. Cambridge: Cambridge University Press. Fabbro, E. 1995. Carmina Convivalia Attica. Rome: Istituti editoriali e poligrafici internazionali. J. , eds. 1985. Theognis of Megara: Poetry and the Polis. Baltimore: Johns Hopkins University Press. Fisher, N. 2011. ” In Fisher and van Wees, 175–219. Fisher, N. , eds. 2011. Competition in the Ancient World. Swansea: Classical Press of Wales. Ford, A. 2002. The Origins of Criticism: Literary Culture and Poetic Theory in Classical Greece.
The Context of Ancient Drama. Ann Arbor: University of Michigan Press. Dougherty, C. and L. Kurke, eds. 2003. The Cultures within Ancient Greek Culture: Contact, Conflict, Collaboration. Cambridge: Cambridge University Press. Fabbro, E. 1995. Carmina Convivalia Attica. Rome: Istituti editoriali e poligrafici internazionali. J. , eds. 1985. Theognis of Megara: Poetry and the Polis. Baltimore: Johns Hopkins University Press. Fisher, N. 2011. ” In Fisher and van Wees, 175–219. Fisher, N. , eds. 2011.