By Sinclair Bell
This new assortment offers a wealthy number of cutting edge scholarship at the Etruscans, a colourful, autonomous humans whose certain civilization flourished in crucial Italy for many of the 1st millennium BCE and whose inventive, social and cultural traditions contributed to shaping the traditional Mediterranean, ecu, and Classical worlds. contains contributions from a global solid of either tested and rising students bargains clean views on Etruscan artwork and tradition, together with research of the main updated learn and archaeological discoveries Reassesses and evaluates conventional themes like structure, wall portray, ceramics, and sculpture in addition to new ones reminiscent of cloth archaeology, whereas additionally addressing subject matters that experience but to be completely investigated within the scholarship, akin to the obesus etruscus, the functionality and use of bijou at diversified existence levels, Greek and Roman topoi in regards to the Etruscans, the Etruscans’ reception of ponderation, and extra Counters the declare that the Etruscans have been culturally not so good as the Greeks and Romans by way of emphasizing fields the place the Etruscans have been both technological or creative pioneers and by way of reframing similarities popular and iconography as examples of Etruscan business enterprise and reception instead of as a deficit of neighborhood creativity
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Extra info for A Companion to the Etruscans
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These weapons suggest close‐quarter encounters, although there is some evidence for the continued use of bow and arrow. The dagger continued in use, although diminished, even when the sword was introduced in the Middle Bronze Age, and the knife (a one‐sided blade) in the Late Bronze Age, suggesting a role of dispatch once swordfighting had been completed. Some of these latest finds were imports from Sardinia. A rarer, long‐distance version of the dagger was the halberd, in many respects a dagger on a pole.